UNLESS YOU WILL

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May, 2010 Monthly archive

Last week I received this gorgeous book from Metehan Özcan. It is a truly inspiring book, well printed and a great selection of his work.

“In his exhibition named as “Vacuum”, Metehan Ozcan focuses on abandoned spaces. The houses, streets, and parks in Ozcan’s photographs are haunted by a subject who has left; in other words they are under the influence of a vacuum of the absent subject. Even if these images do not contain a single human figure, they tell various stories. Astoundingly, Ozcan’s photographs, do not give references to despair, melancholia or nostalgia. At first glance, these images where the traces of subjectivity are submitted to the mercy of silence, darkness, humidity and dust may appear as a requiem for the modern space; but then again, Ozcan’s perspective constructs a reality in which “the return of the repressed” and “the immanent uncanniness of the space” are embraced. An after hour darkness, silence and stillness of a fairground which can only exist with the light, joy and laughter; or the house which submits itself to the growing jungle that it had been externalizing since from its very foundation do not signify “the death of the space”, but celebrate an “other” kind of “rebirth” with a new face.”

04 500x500 True delight
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I am not one to get up when it is still dark outside, but for the last 2 weeks I have been practicing early starts, so I can finish all the projects before I head off in two weeks – hurray. This morning I was tickled by Sylvain Cotte images along with his descriptions: (First image) “In 1986, Leon Grellutch became the first Belgian astronaut. Unfortunately, the trip sponsored by Jupiler will never see the day and Leon will land forever. He’s always visiting Belgian universities to give lectures about life on Mars.”
(Second image) “Sergi Fuentes is the first Spanish to join the deceased ABA (Animal Basketball Association) in 1967. At the end of a summer of love which will stay in annals, he joins Detroit and his Pistons. During its first match, the mascot of the team annoys him accidentally just like that with piston. He will remain weak light for life.” I love cyanotypes and seeing that I will move in 10 days and have a shed, well maybe I’ll have to set up a dark room again. Sylvain is also selling 20 unique editions in the size of 14,8 x 21cm printed on 340gsm art paper.

sylvain cotte 2 356x500 Something different sylvain cotte 9 353x500 Something different w3a 02 336x500 Something different w3a 16 354x500 Something different w3a 17 353x500 Something different

These still life series “Ivy house” by Karin Bubaš are stripped down to the bare essentials of every day life. And yet with her use of light and colour, her images suggest a presence – just out of view, but one you can certainly feel.

2 aquaticcentre2 Inhabit 21 bedroomsink Inhabit 36 glasswareonwindowsill Inhabit 38 washer Inhabit 39 elizabethsroom Inhabit

It took me a while to figure out what drew me to Jared Kuzia “Oaxaca” series. After a while I realised it was the light. It sets the tone of these images and allows you to go beneath the surface to discover a residue from the past.

jaredkuzia Oaxaca1 Essence of a relationship jaredkuzia Oaxaca3 Essence of a relationship jaredkuzia Oaxaca5 Essence of a relationship jaredkuzia Oaxaca6 Essence of a relationship jaredkuzia Oaxaca7 Essence of a relationship

Last week Max Sher a very talented photographer from St. Petersburg introduced himself with his series “KARS*”

“I changed from an amble to a round trot and arrived that evening at a Turkish village twelve miles from Kars. Having jumped down from my horse I wanted to enter the first hut, but the owner appeared in the doorway and pushed me away with a shower of abuse. I responded to his welcome with my whip. The Turk started bellowing; a crowd gathered. My guide, it seemed, had interceded on my behalf. I was shown a caravan-serai; I entered a large hut resembling a cattle shed; there was nowhere to spread my cloak. I demanded a horse. The Turkish headman came over to me. To all his incomprehensible words I gave the same reply: verbana at (give me a horse). The Turks would not agree. Finally I had the sense to show them money (which I should have done in the first place). A horse was brought immediately and I was given a guide. I rode along a wide valley, surrounded by hills. Soon I saw Kars, standing out white on one of them. My Turk kept pointing it out to me, repeating ‘Kars, Kars!’ and put his horse into a gallop. I followed him tormented by anxiety: it was in Kars that my fate would be decided”.

Alexander Pushkin, “A Journey to Arzrum”, 1829, translated by Brigitta Ingemanson.

*Kars is a town in northeastern Turkey near the Armenian border. From 1878 to 1918 it was part of Russia. This is where Orhan Pamuk’s novel “Snow” is set. Turkish for ‘snow’ is ‘kar’.

 

Max Sher Kars 001 Russian poetry Max Sher Kars 002 Russian poetry Max Sher Kars 003 Russian poetry Max Sher Kars 004 497x500 Russian poetry   Max Sher Kars 007 Russian poetry

Last week I received a lovely email from Katja Sonnewend telling me about her “7 minutes being a geisha” series, photographed in Japan 2009. I am simply smitten with Japan and would love to spend more time there, so you can imagine my delight when I saw these images. I am always attracted to silence and simplicity in combination with a delicate touch of colour.

1 Sonnewend JP 418x500 Small hours
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17 Sonnewend JP 416x500 Small hours